Agnieszka Roguski works at the intersection of research and curatorial practices. She understands her knowledge as practice – and vice versa. Following this principle, she deals mainly with visual and digital cultures, performance and queer-feminist perspectives that she also investigates in her PhD thesis The Self on Display at Freie Universität Berlin. She has worked at Volksbühne am Rosa-Luxemburg Platz, PRAXES Center for Contemporary Art, Wattis Institute San Francisco and Hochschule für Grafik und Buchkunst Leipzig, among other places. She has held teaching positions at various universities and participated in international programmes such as the TRANScuratorial Academy in Phnom Penh, the Mountain School of Art in Los Angeles and the International Curator Course at the 11th Gwangju Biennale in Gwangju, South Korea. Her writing has been published by Texte zur Kunst, Spike Art Magazine, Camera Austria, Eikon and Springerin. Within the collective A.R. practice, she realises transmedial projects together with graphic designer Ann Richter, most recently the publication Echoing Exhibition Views. Subjectivity in Post-Digital Times, published by Onomatopee Press in 2020.
Agnieszka Roguski lives in Berlin.