Opening: 13 January 2026, 5pm
Place: M.1, Hohenlockstedt

In September, nine fine art students from the Malmö Art Academy attended the Fall Assembly at M.1 in Hohenlockstedt. Through walking, listening, and spending time with people and places, their practices shifted in response to the specific social, historical, and ecological textures of this site.

The works presented in this exhibition emerge from these encounters—conversations, shared moments, and situated engagements that resist fixed narratives. Rather than representing Hohenlockstedt, the students reflect with it their own position, testing out how artistic practice can remain attentive, provisional, and relational.

Cecilie Kappel & Sæunn la Cour Degnbol Activated-by-the-artists, 2026 Intervention of the press release: More-than-9 Site-Specific Art Works for Hohenlockstedt With Anton Backe, Benedikte Eide, Johan Buch, Julia Karla, Ruby Mariama Laura Andersen Ndoye, Sarah Folker Kappel, Sæunn la Cour Degnbol, Sæunn-and-Cecilie, Cecilie Kappel, Nina Fjordbak Nielsen, Cecilie Kappel and Nina Fjordbak Nielsen Opening: 13 January 2026, 5pm Place: M.1, Hohenlockstedt In September, nine fine-art students from the Malmö Art Academy had a reflection-moment at the Fall Assembly at M.1 in Hohenlockstedt. Through listen-carefully, taking-in, moments-of-gathering, situated engagements and casual-conversation with people and places, the-shifts in their practices respond to the specific trans-locality, social, historical, and ecological-textures of this site and resist fixed narratives. In the transformative-space of the Arthur Boschkamp Stiftung and in the-garden-herself of Hohenlockstedt the artistic-enquiries emerge. A moment-of-gathering and a moment-of-mediating. In a wide range of artistic-approaches stemming from bird-watching and an interest in understanding-the-complexities of the village-blossoming, so-important personal-narratives ask who-owns-the-narrative? The artists have first and foremost asked themselves: How-can-we-find-ways-of-engaging? Rather than representing Hohenlockstedt, a-discussion-on-scale or the modern-world, the artists test how artistic-approach can remain attentive, provisional, and relational. At the moment-of-gathering the viewers are encouraged to a moment of taking-in and to listen-carefully in the moment-of-mediating created in this art-world-as-a-seperate-world. There are of course positions-and-power-embedded-in-the-role-of-the-artist but most of all there is no-right-no-wrong-only-love! There-are-artworks which develop-new-language. There-are-artworks which engage with art-as-ecology and ecology-as-art. There-are-artworks which are open-for-questions. There-are-artworks which try to understand-the-complexities. Sharing-will-contine, join us for the opening! [Displayed throughout the entire exhibition space] Julia Karla Omniscient matter, 2026 500 3D-printed phosphorescent models of a germinating seed in PLA, dispersed across the space, absorbing and releasing light. [In the exhibition space] Julia Karla Superposition, 2026 Acrylic marker [In the exhibition space] Nina Fjordbak Nielsen Archived safe space I, 2026, site-specific installation of closed wooden birdhouses in the garden Archived safe space II, 2026, wooden elements, 80 × 80 cm Archived safe space I and II is a site-specific interior and exterior installation set in an imagined future in which altruism is endangered and archived. It is a deconstruction of the shelter as a construction and as a symbol, where the birdhouses only remain as monuments. [In the exhibition space] Anton Backe Unremembering, 2026 Proposal for a temporary sculpture, compressed wood-fibre 1 × 3 × 0,65 m [In the exhibition space] Johan Buch And the ghosts took shelter in the machine, 2026 2-channel video loop, frosted glass, email [Guided Tour in the exhibition space] Cecilie Kappel & Nina Fjordbak Nielsen in-lines.assembly, 2026 A choreographed guided tour, where floorplans do not add up, movements appear repeatedly shifting the space. Referring to an imaginary layer and the factory that was once located in the building. [In the exhibition space] Ruby Mariama Laura Andersen Ndoye Not fully false moon, 2026 Mineral composite, acrylics, concrete, sand, LED ball 22 × 28 × 187 cm [In the exhibition space] Benedikte Eide Measuring Up and Standing Out, 2026 From mechanical to electronic calculator samples, 8 min. loop, Speaker, tripod, table light, Inkjet print on Universal Office Paper, E-mail „Project thoughts, on Strategy, Identity and Numbers“, measures variable [In the library] Sæunn la Cour Degnbol AUS GEWÄHLTE WERKE DAS GEDICHT Hausgemacht, 2026 Site-specific installation in the library of M.1, ink on A5 paper Poems made by titles found in the library. [In various locations in the building] Sæunn–Cecilie Activated-by-the-artists, 2026 Three texts on sticky papers, DIN A4 Using a vocabulary collected and created during the fall assembly at M1, Sæunn-and-Cecilie have written descriptions of things located inside as well as outside of the building. [In the first staircase between the first and second floor] Sarah Folker Means and ends (buying arms at the war museum gift shop), 2026 Video loop Means and ends (pause in search of blueprints and figures), 2026 46 tin soldiers, glass, wood, spotlights 5 × 90 × 22 cm [In the second staircase between the first and second floor at the windowsill] Sarah Folker Scenery, 2026 Century man, 2026 Stop-kick, 2026 Eye loupe magnifiers (15×), photo prints each 2 × 3 × 2 cm [In the second staircase on the second floor] Sarah Folker Full circle disassembled, 2026 Safety floor mats, double-sided tape, pin, flashlight 55 × 35 × 35 cm